Hilda Paredes (Composer) 

ORCHESTRATIONS AND ARRANGEMENTS

Pour que la nuit soit propice
(1986)
By Debussy, orchestrated for woodwind, 2 horns, percussion 2 harp and string orchestra. Duration: ca. 4 min.
Guildhall School of Music. School Chamber Orchestra. 1986.

PAYSANDU
(1992)
By Milhaud. Flute, oboe, clarinet, alto saxophone, bassoon, horn, trombone,string quintet.
Duration: ca. 4 min.
La Camerata conducted by Aldo Brizzi at the Festival del Centro Histórico in Mexico, 1992.
Commissioned by La Camerata, funded by Festival del Centro Histórico.1992

Siete canciones populares españolas
(1993)
By De Falla. Orchestration for voice, flute, oboe, two clarinetists, bassoon, horn, trumpet, trombone, one percussionist, harp, string quintet. Duration: ca. 20 min.
Orquesta de Baja California and Eugenia León, conducted by Eduardo García Barrios at Sala Nezahualcoyotl in Mexico, June1993
Commissioned and funded by Orquesta de Baja California, Tijuana 1993.

La Habanera
(1993)
By Bizet, for voice, flute, oboe, clarinet, bassoon, horn, trumpet, trombone, percussion, strin quintet. Duration: ca. 5 min
Orquesta de Baja California and Eugenia León, conducted by Eduardo García Barrios at Sala Nezahualcoyotl in Mexico, June 1993
Orquesta de Baja California and Eugenia León, conducted by Eduardo García Barrios at Sala Nezahualcoyotl in Mexico, June 1993

También los jóvenes envejecen.
(1993)
By Liliana Felipe. Arranged for voice, flute, oboe, two clarinets, bassoon, horn, trumpet, trombone and percussion. Duration: ca. 4´.
Commissioned and funded by Liliana Felipe, 1993.

La Petenera
(1992)
By Guillermo Briseño arranged for voice, flute, oboe, two clarinetists, bassoon, horn, trumpet, trombone.one, percussionist, harp, string quintet. Duration: ca. 4 min.
Orquesta de Baja California and Eugenia León, conducted by Eduardo García Barrios at Centro Cultural Tijuana in April 1993.
Commissioned and funded by Orquesta de Baja California, Tijuana 1993.

La Bruja
(1993)
Arranged for oboe, two clarinets, basoon, marimba, voice, harp and string quintet. Duration. Ca. 5 minutes.
Orquesta de Baja California and Eugenia León, conducted by Eduardo García Barrios at Centro Cultural Tijuana in April 1993.
Commissioned and funded by Orquesta de Baja California, Tijuana 1993. 

Piénsalo bien
(1993)
By Agustín Lara, arranged for two clarinets, horn, claves, voice, harp and string quintet. Duration: ca 4 minutes
Orquesta de Baja California and Eugenia León, conducted by Eduardo García Barrios at Centro Cultural Tijuana in April 1993.
Commissioned and funded by Orquesta de Baja California, Tijuana 1993.

Pero no te extraño
(1993)
By Liliana Felipe, arranged for flute, oboe, two clarinets bassoon, horn, percussion, voice, harp and string quintet.
Duration: ca. 6 minutes.
Orquesta de Baja California and Eugenia León, conducted by Eduardo García Barrios at Sala Nezahualcoyotl in Mexico, June 1993
Commissioned and funded by Orquesta de Baja California, Tijuana 1993.

Como yo te amé
(1993)
By Armando Manzanero, arranged for horn, percussion, voice, harp and string quintet. Commissioned and funded by Orquesta de Baja California, Tijuana 1993.

Moro lasso
Arditta Zanzaretta
Beltá poi che t´assenti
(2012)
By Carlo Gesualdo, from his Book VI of madrigals. Arranged for countertenor and string quartet.
Jake Arditti and The Arditti String Quartet at the Ishibashi Memorial Hall in Tokyo, September 2012.
Commissioned by Ishibashi Memorial Hall in 2012.

Flow my tears
In Darkness let me dwell
(2012)
By John Dowland. Arranged for countertenor and string quartet.
Jake Arditti and The Arditti String Quartet at the Ishibashi Memorial Hall in Tokyo, Spetember 2012.
Commissioned by Ishibashi Memorial Hall in 2012.